Art History

In this episode of Institute Instances, Tamar Mayer, Member in the School of Historical Studies (2024–25), discusses the unique perspectives that art historians who were formally trained as artists bring to the discipline, and traces the legacy of art historical scholarship at the Institute for Advanced Study.

In celebration of the appointment of Maria Hsiuya Loh to the School of Historical Studies Faculty, Visitor (2021–22) and Research Associate (2022) Abbey Ellis explores how Loh's work reshapes traditional views of a great Renaissance artist and grafts new stems onto the legacy of art historical scholarship at the Institute.

Art historian Marilyn Aronberg Lavin describes how three busts attributed to Baroque artist Gianlorenzo Bernini shaped the career of her husband Irving Lavin, past Professor in the School of Historical Studies, and how she recently repatriated one of these artworks to Italy from her home at IAS.

For il manifesto, Valentina Porcheddu interviews Angelos Chaniotis, Professor in the School of Historical Studies, about the return of the Parthenon Marbles to Athens. 

Yve-Alain Bois, Professor Emeritus in the School of Historical Studies, has published An Oblique Autobiography, a collection of essays and reminiscences, with no place press.

Animating the Antique: Sculptural Encounter in the Age of Aesthetic Theory, a pioneering work of eighteenth and nineteenth century art history, has been published by Penn State University Press. Sarah Betzer, a Member and former Visitor (2014–15, 2016) in the School of Historical Studies, wrote the book during her time at the Institute, culminating in the groundbreaking and widely-acclaimed text that spans a century-and-a-half and offers new account of the distinctively modern allure of the antique.

The new Rubenstein Commons building at the Institute for Advanced Study, designed by Steven Holl Architects, stands in stark contrast to the explicitly functionalist forms of other modern buildings on campus: the Member housing, designed by Marcel Breuer, or even the welcoming but austere (what’s known as “brutalist”) spaces of the dining hall, designed by Robert Geddes.

Yve-Alain Bois, Professor in the School of Historical Studies, has completed volume two of his catalogue raisonné of American painter Ellsworth Kelly. Working with the artist’s estate, Bois has produced a thorough catalogue of the artist’s paintings, sculptures, and reliefs between the years 1954 and 1958, including high-quality reproductions of the art, history of ownership and exhibition, and bibliographic notes. 

Alison Locke Perchuk, past Member in the School of Historical Studies (2018-19), has authored the first interdisciplinary account of the Monastery of St. Elijah, built circa 1122-26 near Rome. It includes archaeological and historical readings of the monastery’s architecture, frescoes, and sculpture, with an eye toward epigraphy, liturgy, theology, memory, and landscape.

Franz Steiner Verlag has published Unveiling Emotions, Vol. 3: Arousal, Display, and Performance of Emotions in the Greek World (2020), edited by Angelos Chaniotis, Professor in the School of Historical Studies.

From the publisher: “The study of...