Seeing Faith in the Middle Ages

Éric Palazzo, Elinor Lunder Founders’ Circle Member (2018–19) in the School of Historical Studies, explores the profound intertwining of art and theology in the Middle Ages in his recent book, Medieval Art as Theology (L’art médiéval comme théologie). Rather than studying, as if from the outside, the forms and styles of medieval art, Palazzo invites readers to experience the medieval worldview from within, bridging the gap between modern perceptions and historical realities.

Through close examination of ten diverse works—including illuminated manuscripts, sculpture, stained glass, and architecture—Palazzo reveals how each piece embodies the spiritual and intellectual climate of its era. By situating each artwork in its historical context and interpreting its theological significance, the book immerses readers in the vibrant world where doctrine was vividly expressed through visual means.

Ultimately, Palazzo illuminates how medieval art functioned as a living theology, offering images of a God made incarnate.