Historical Studies

Historian Jérémie Foa offers a very unique view of the 1572 massacres in his work entitled Tous ceux qui tombent: visages du massacre de la Saint–Barthélemy [All that fall: faces of the St. Bartholomew's day massacre]. He exhumes the “small lives” that were taken by reconstituting history in minute detail and honoring the names of the anonymous victims.

Tabula Rasa

"In June, 1948, when I graduated from Princeton High School, I already had a job, as a night watchman at the Institute for Advanced Study, on the far side of town. All kinds of people assumed that the Institute was part of Princeton University, which it wasn’t and isn’t."

"In this and other tales from the period, the color of the sultan’s skin has a deeper meaning: His black skin is a metaphor for his non-Christian soul, according to Cord Whitaker, associate professor of English at Wellesley College, a [M]ember of the Institute for Advanced Study, and one of the founding members of the Princeton collaboration."

The new Rubenstein Commons building at the Institute for Advanced Study, designed by Steven Holl Architects, stands in stark contrast to the explicitly functionalist forms of other modern buildings on campus: the Member housing, designed by Marcel Breuer, or even the welcoming but austere (what’s known as “brutalist”) spaces of the dining hall, designed by Robert Geddes.

Yve-Alain Bois, Professor in the School of Historical Studies, has completed volume two of his catalogue raisonné of American painter Ellsworth Kelly. Working with the artist’s estate, Bois has produced a thorough catalogue of the artist’s paintings, sculptures, and reliefs between the years 1954 and 1958, including high-quality reproductions of the art, history of ownership and exhibition, and bibliographic notes.