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Wolfensohn Hall

Constructed between 1991 and 1993, the Institute for Advanced Study’s 220-seat Wolfensohn Hall was built to serve as both lecture and concert hall. As the first new construction since 1969, the auditorium was named for James and Elaine Wolfensohn.  Mr. Wolfensohn, former President of the World Bank, is the Chairman of the Board of Trustees at the Institute. It has been called "an instrument for sound," (U.S. 1, April 13, 1994) as its physical appearance suggests: the curving side wall panels, articulated by horizontal stripes of red fabric covering, are made of wood. To attain acoustical excellence, the project’s designer, Jeff Paine, worked closely with the Boston-based acoustical design firm, Acentech. The design features open trusses overhead, with nothing to stop the resonance of sound. The only structures which absorb sound are in the rear wall, inhibiting sound from bouncing back toward the stage. That Wolfensohn Hall turned out to be a fine concert hall is no accident: Mr. Wolfensohn is an amateur cellist and an old friend of violinist Isaac Stern. (Stern surprised the Institute community by playing the inaugural concert for Wolfensohn Hall in April 1993, and sharing the program with Wolfensohn’s daughter, Sara, an accomplished pianist.) Wolfensohn Hall’s architect, Caesar Pelli and Associates, is known for the Carnegie Hall tower and one of the Museum of Modern Art expansions and renovations, as well as Princeton University’s DeNunzio aquatic building. The designer, Jeff Paine, has served as project manager for some of the firm’s most high-profile creations – including Manhattan’s four-tower World Financial Center and the Pacific Design Center in Los Angeles.

Wolfensohn Hall, Front
Wolfensohn Hall, Front

Wolfensohn Hall, Interior
Wolfensohn Hall, Interior


Birch Garden

Since its completion in 1972, the Institute for Advanced Study's Birch Garden has played a dual role for the community it serves. One role was hinted at by the designer, architect Robert Geddes, when he described the garden as a "cloister-like landscape place"—a garden onto which the new West Building and Dining Hall looked. This "area of quiet harmony" (Forum, Oct. 1972) has also functioned as host to many Institute gatherings, such as the Director’s welcome reception in the Fall. In May 2002, the Institute's concert series adopted this "area of quiet harmony" and social gathering place to host its outdoor concerts.

Birch Garden
Birch Garden


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