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Unpacking the Bachelor Pad
By Jessica Ellen Sewell
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Image from Pillow Talk (1959). Split screen heightens the contrast between the feminine apartment of Jan Morrow (Doris Day) and Brad Allen (Rock Hudson)’s bachelor pad. (© Universal Studios) |
The mid-1950s saw the invention of a new, highly mythologized housing type, the bachelor pad, articulated most fully in the pages of Playboy and in films. The bachelor pad is an apartment for a single professional man, organized for entertaining and pleasure, and displaying tasteful consumption. The bachelor pad was culturally salient at this particular historical moment because it linked a culture increasingly focused on consumption and what sociologists and cultural commentators in the late 1950s argued was a “crisis in masculinity.” The bachelor pad provided a compelling fantasy of individual consumption and economic and sexual power to counter that crisis, but at the same time, helped to produce the masculinity crisis by problematizing straight male domesticity.
As described in Playboy, the pad “is, or should be, the outward reflection of his [the bachelor’s] inner self—a comfortable, livable, and yet exciting expression of the person he is and the life he leads.”1 It is precisely this inner self that was seen to be in crisis in the late 1950s: men’s sense of themselves as individuals had been stripped away, a state that was blamed partly on the conformity of corporate America and partly on women.
Hackers, Liberalism, and Pleasure
By Gabriella Coleman
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Gabriella Coleman, Member (2010-11) in the School of Social Science |
Generally a hacker is a technologist with a love for computing, and a hack is a clever technical solution arrived at through non-obvious means (alternatively, it can mean a downright clunky and ugly solution, one, however, that gets the job at hand done). It doesn’t mean to compromise the Pentagon, change your grades, or take down the global financial system, although it can. Hackers tend to uphold the values of freedom, privacy, and access; they tend to adore computers—the cultural glue that binds them together. They are trained in highly specialized and technical arts, including programming, system administration, and security research. Many hackers use their skills at work but also spend a fair bit of time tinkering, building, and exploring outside labor demands. Some gain unauthorized access to technologies, though the degree of illegality greatly varies (and most hacking is completely legal). They tend to value playfulness and cleverness and will take most any opportunity to perform their wit through code or humor or even both: funny code.
One important aspect of hacking is the development of free and open-source software, such as Firefox and Linux. Now a techno-social movement, the hackers make the underlying directions of software, known as source code, legally accessible via novel licensing schemes, such as the GNU General Public License. Other variations have focused on cryptography and privacy. The “hacker underground” has brought into being a politics of transgression by seeking forbidden fruit—and it is this variant that has received the lion’s share of media attention.
