George W. Bush

Reviving Rhetoric: An Aristotelian Interpretation of the Campaigns of Political Underdogs

By Deva Woodly 

An Obama supporter holds up a “Yes We Can” sign as President-elect Barack Obama gives his victory speech during a 2008 election night gathering in Grant Park. Courtesy of Getty Images.

I was in my final year of graduate school, writing a dissertation on the place of persuasion in the success of contemporary American social movements, when the nearly two-year-long campaign for the American president who would succeed George W. Bush began. As a student of politics, it was impossible not to be transfixed by the epic discursive battle being waged, first in the hard- fought democratic primary between Hillary Clinton and Barack Obama and finally during the general election campaign in which, Obama, having won against his formidable Democratic rival, entered a political contest with veteran politician John McCain. For the American public, this contest was the most closely followed election in decades. A Gallup poll taken in June 2008, early summer, when political attention is usually at its nadir, found that nearly two-thirds of Americans described the 2008 campaign as “exciting.” By September, Gallup found that a record 87 percent, almost nine in ten Americans, reported that they were following national politics closely. The astonished poll takers wrote, in the summary of their results, “This significantly exceeds anything Gallup has measured since it began asking this question in 1995.”*

The Idea of Wartime

By Mary L. Dudziak 

When Mary Dudziak was the Ginny and Robert Loughlin Member in the School of Social Science in 2007-08, she intended to explore the history of war's impact on American law and politics. Instead, she found herself puzzling over ideas about time, which resulted in the book War-Time: An Idea, Its History, Its Consequences (Oxford University Press, 2012).

Does war have a time? The idea of “wartime” is regularly invoked by scholars and policymakers, but the temporal element in warfare is rarely directly examined. I came to the Institute in 2007–08 intent on exploring the history of war’s impact on American law and politics, but assumptions about wartime were so prevalent in the literature that first I found myself puzzling over ideas about time. Ultimately, this resulted in a book, War ·Time: An Idea, Its History, Its Consequences (Oxford University Press, 2012).

The idea that time matters to warfare appears in Thomas Hobbes’s Leviathan: “War consisteth not in battle only, or the act of fighting, but in a tract of time, wherein the will to contend by battle is sufficiently known; and therefore the notion of time is to be considered in the nature of war.” Time’s importance calls for critical inquiry, but time is often treated as if it were a natural phenomenon with an essential nature, shaping human action and thought. Yet our ideas about time are a product of social life, Émile Durkheim and others have argued. Time is of course not produced by clocks, which simply represent an understanding of time. Instead, ideas about time are generated by human beings working in specific historical and cultural contexts. Just as clock time is based on a set of ideas produced not by clocks but by the people who use them, wartime is also a set of ideas derived from social life, not from anything inevitable about war itself.

Yet war seems to structure time, as does the clock. Stephen Kern argues that World War I displaced a multiplicity of “private times,” and imposed “homogenous time,” through an “imposing coordination of all activity according to a single public time.” During World War I, soldiers synchronized their watches before heading into combat. In Eric J. Leed’s description of trench warfare, war instead disrupted time’s usual order. Battle became an extended present, as considerations of past and future were suspended by the violence of the moment. “The roar­ing chaos of the barrage effected a kind of hypnotic condition that shattered any rational pattern of cause and effect,” so that time had no sequence. And so one meaning of “wartime” is the idea that battle suspends time itself.

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