Derek Bermel, the Institute’s Artist-in-Residence since 2009, organized the Edward T. Cone Concert Series as well as dozens of conversations with poets, writers, composers, and musicians during his appointment, which ended in June. These included performances in Wolfensohn Hall by violinist Midori, pianist Jeremy Denk, inventive groups like eighth blackbird and the Borromeo String Quartet, as well as a reading by Broadway actors of his musical Golden Motors. He created a new series of Writers Conversations that probed the nature of creativity and collaboration with artists, poets, directors, and writers, including Steve Bodow, producer and writer for the Daily Show, poet Tracy K. Smith shortly before she won the Pulitzer Prize, and composer Stephen Sondheim who called art “a kind of puzzle.”
While at the Institute, Bermel collaborated with Helmut Hofer, Professor in the School of Mathematics, on a musical piece inspired by symplectic dynamics, a mathematical theory of dynamical systems. In February, the JACK Quartet performed Derek’s clarinet quintet “A Short History of the Universe (as related by Nima Arkani-Hamed),” inspired by lectures he attended by Arkani-Hamed, Professor in the School of Natural Sciences.
What was your approach when you first started as the Institute’s Artist-in-Residence?
I’d say my approach has been fairly consistent. I’ve always been interested to make contact with people here. I only wish that I could have gone to more lectures, seen more presentations, participated even more. The Institute is a very rich place. There’s quite a bit below the surface, and it was clear to me right from the beginning that the Faculty and Members here were all working on fascinating projects; some of them I could only grasp skeletally, nonetheless it was well worth the effort.READ MORE>